Javier Bravo de Rueda’s work stems from personal notes, that take the shape of drawings and, later, ceramic sculptures. They are the result of aesthetic quests that revolve around the research he carries out to produce further pieces. They depict images of free association of the artist’s imagination, with references to architectural structures and the prehistoric past of humans. In this search, he links the material aspect of human production with the raw material that serves as its basis: the relationship between the earth and fire, wood and pigments and other supports for iconographic production. For this, the artist recognizes himself as a legatee of a cultural baggage, which he expresses in the graphics and texts that he includes in the drawings.